34 responses to “Microcosms 21”

1. 

   Holly Geely

   27 May 2016

   Escape
   @hollygeely
   246 words
   Puppeteer, subway, fantasy

   “Where does the train go, Max?”

   Max ignored the stares. If the other passengers couldn’t handle the sight of a ventriloquist conversing with his dummy, they had no right to be on the subway in the first place. As far as unusual occurrences in public transit, Max and Fabian didn’t even rank in the top 100.

   “Where does the train go, Max?”

   “I heard you the first time,” Max muttered, yet he still didn’t answer.

   The portal in his room beckoned him, even from this far away. The other world waited; where Fabian had been given a voice of his own, and Max had transformed from average performer to powerful wizard.

   “They’re waiting for us, Max. The priestess died because of you, Max.”

   Max clamped a hand over Fabian’s mouth, and offered the woman next to him an apologetic grimace.

   She changed seats.

   “Look, you useless tree stump, it wasn’t my fault,” Max said, through gritted teeth.

   “Oh? So why are you running, Max? Where does the train go, Max?”

   The priestess had looked into his soul, extended a hand, and told him he was the chosen one. She had trusted him, and followed him into the fiery pits.

   Max got off at the next stop, because it didn’t matter where the train went. There would be no escaping his problems.

   “Told you,” Fabian said smugly.

   Then again, there was one problem he could do away with, as evidenced by the ventriloquist’s dummy in the trash.

   Reply
   1. 

      Geoff Holme

      27 May 2016

      Steph reveals her fear of clowns this week, but there have been a number of films where a ventriloquist’s dummy takes on a life of it’s own – including “Dead of Night”, a 1945 black and white movie which I saw on TV as a youngster, which had Michael Redgrave playing a vent also called Max – but his dummy’s name was Hugo. I found that quite spooky and scary at the time, but I’m glad to say I didn’t develop a phobia!

      Your tale, Holly, is in the same vein but with a fantasy ‘alternative reality’ vibe. Good stuff!

      Reply
      1. 

         Bill Engleson

         27 May 2016

         Here is a clip from The Twilight Zone…in the same vein…https://www.youtube.com/watch?v=PxlY9FlqR9Q
2. 

   Ashley Gardana

   27 May 2016

   The Clown Murderer – an Origins Story:

   In a dark corner
   of an equally dark mansion
   swung a framed portrait
   of a clown.
   No one could recall
   when it arrived in the corner
   but it smacked mistress
   and she died.
   After that we knew
   of the framed clown that swung at will.
   Our house versus the clown,
   a battle.
   Soon, it turned bloody
   the clown killed the heir and the spare
   and then the butler.
   We brought fire.
   Oh, how the clown screamed
   trapped in his frame, as he melted
   and we did not laugh,
   at this clown.
   But then the next day,
   in the same spot, a frame swinging
   and a new clown face
   murderous.
   We blocked the corner
   kept away the remaining child
   who laughed at the clowns
   with intent.
   Who placed this mansion
   under such a malicious curse?
   We would never know.
   The child grew
   as most children do,
   yet, he had vengeance in his heart
   for he’d decided,
   kill them all.
   All clowns, even those
   who did not swing from frames at will.

   —-
   179 words
   Clown/Mansion/Poem
   @agardana09

   Reply
   1. 

      Ashley Gardana

      27 May 2016

      Bah – the ninth line should read: “After that we knew” to go with the 5/8/5/3 syllable count I decided to painfully put myself through. 😀

      Reply
   2. 

      Geoff Holme

      27 May 2016

      Very well done, Ashley – dark and sinister. I like a poem with a set structure.
      [ I missed the strict syllable pattern (it would have been more obvious if you had broken the poem up into stanzas – just sayin’… 🙂 ]
      Loved “the heir and the spare”.

      Reply
      1. 

         Ashley Gardana

         30 May 2016

         Thank you for the feedback. I appreciate the tip!
3. 

   Geoff Holme

   27 May 2016

   @GeoffHolme
   #FlashDogs
   Word Count: 250
   Clown / Mansion / Mystery

   The Mystical Machine

   “This is it,” says Fayed, as they leave the psychedelic van. “Anthem, Arizona.”

   “We always end up someplace at night,” moans Thelma.

   “It’s not Fayed’s fault!” says Dymphna, in her boyfriend’s defence. “His father forgot to wire his allowance, so we couldn’t buy gas. We would’ve been here hours ago otherwise.”

   Scraggy trails behind. “I’m not begging on the streets with Rooby-Roo again,” he says. “It’s humiliating.”

   “You’re such a dirtbag,” says Fayed, “you look like a homeless bum… especially with that hungry-looking Great Dane.” Dymphna and Thelma laugh; the dog glares at Fayed with narrowed eyes, and growls.

   Soon they’re standing outside a spooky, Gothic mansion. “Woah!” quakes Scraggy. “This looks like a Mission Impossible even Ethan Hunt would refuse.”

   “Tom Cruise isn’t a coward!” Thelma retorts.

   “Quit bickering!” says Fayed. “Let’s split up and look around.”

   “Sure,” mumbles Scraggy. “It’s Hallowe’en, dark, we’re in an isolated location… what could possibly go wrong?”

   Swamp-Monster chases Thelma… Fayed and Dymphna chase Swamp-Monster… Scraggy and Rooby-Roo hide… Fayed, Dymphna and Thelma catch Swamp-Monster in rope-net… Fayed removes Swamp-Monster’s mask to reveal… a clown in full make-up!

   The clown produces a pail full of… Fayed, Dymphna and Thelma scream and flee in terror, as the clown throws… sparkly scraps of paper.

   Scraggy’s and Rooby-Roo’s grinning faces appear from behind a pillar. Scraggy turns to the clown and smiles. ”If I’d known before that those supercilious jerks were all coulrophobes, Rubes and me coulda done this way sooner.

   “Thanks for your help, Dad!”

   Reply
   1. 

      Geoff Holme

      27 May 2016

      Rehashed story – but it’s been a busy week. 🙂

      Reply
      1. 

         Stephanie Ellis

         27 May 2016

         But it’s still a good ‘un. Thanks for all the help, by the way. 🙂
4. 

   Bill Engleson

   27 May 2016

   Ivy

   I am not a handsome man. My forehead is too thick, my ears bony and always flapping in the slightest of breezes.

   Spindly as a child, unpleasant to gaze upon, you could knock me over with a budgie feather and no one would object.

   Maybe my parents might.

   Rose and Roland Shipley, known professionally as Scallop and Sweetums, stalwart gagsters for Henry Squiggles’ Backroads America Circus Daze, had lived their lives on the road as knockabouts. If you weren’t bruised a bit, you were doing something wrong.

   Eventually my mother saw my wretchedness. “Roland, this pathetic child needs our help. The world will stomp him into the sawdust,” she said to my father.

   “Rosie. You remember Charlie?” And with that, they signed me up with Charles Atlas’s “Dynamic Tension” course.

   By my teens, I was still somewhat disagreeable to look at but I was muscular, fit as a thousand fiddles, an asset to Scallop and Sweetums who incorporated me into their act, a foil for the half dozen clowns in Circus Daze to bounce off of.

   Best of all, I met Ivy. Ivy joined us in my sixteenth year as we wintered in Florida. Though not raised in the Circus, she might as well have been. Her father, Otto the Crusher, was a wrestler and she had been on the circuit most of her life. My mother trained her to be the new Sweetums to my father’s Scallop.

   I am still not a handsome man. But I have found love.

   Strong man; circus; romance
   250 troupers
   @billmelaterplea

   Reply
   1. 

      Geoff Holme

      27 May 2016

      Lovely tale, Bill – someone out there for everyone, eh? Some nice details of circus life in days gone by, too.

      [ Shouldn’t it be “an asset to Scallop and Sweetums…” in para 6? ]

      Reply
      1. 

         Bill Engleson

         27 May 2016

         You got me, Geoff. Sweetums started out as Sally and when I sallied forth with a more suitable clownish name for her, I failed miserably in the transition. Thanks.
      2. 

         Bill Engleson

         27 May 2016

         Revised version and my apologies for my slack editing skills.

         Ivy

         I am not a handsome man. My forehead is too thick, my ears bony and always flapping in the slightest of breezes.

         Spindly as a child, unpleasant to gaze upon, you could knock me over with a budgie feather and no one would object.

         Maybe my parents might.

         Rose and Roland Shipley, known professionally as Scallop and Sweetums, stalwart gagsters for Henry Squiggles’ Backroads America Circus Daze, had lived their lives on the road as knockabouts. If you weren’t bruised a bit, you were doing something wrong.

         Eventually my mother saw my wretchedness. “Roland, this pathetic child needs our help. The world will stomp him into the sawdust,” she said to my father.

         “Rosie. You remember Charlie?” And with that, they signed me up with Charles Atlas’s “Dynamic Tension” course.

         By my teens, I was still somewhat disagreeable to look at but I was muscular, fit as a thousand fiddles, an asset to Scallop and Sweetums who incorporated me into their act, a foil for the half dozen clowns in Circus Daze to bounce off of.

         Best of all, I met Ivy. Ivy joined us in my sixteenth year as we wintered in Florida. Though not raised in the Circus, she might as well have been. Her father, Otto the Crusher, was a wrestler and she had been on the circuit most of her life. My mother trained her to be the new Sweetums to my father’s Scallop.

         I am still not a handsome man. But I have found love.

         Strong man; circus; romance
         250 troupers
         @billmelaterplea
      3. 

         Geoff Holme

         27 May 2016

         Bill, I recently volunteered to help Kristen with Microcosms, so both Steph and I now have amendment privilege on comments. So you didn’t need to reply with a revised version – especially as your word count (which I amended in your original entry) is now back to 300, instead of 250! 🙂 I’ll fix that for you. Also, If you have TWO versions you may have some people voting for v1 and others for v2, thus diluting your potential for a community pick win (possibly – don’t know if the two would be amalgamated).

         I’m rambling…
   2. 

      Stephanie Ellis

      27 May 2016

      Great story. And as the ‘Charles Atlas, Dynamic Tension’ reference brought Rocky Horror to mind, this definitely gets a vote from me.

      Reply
5. 

   David Shakes

   27 May 2016

   The Illusionist Never Speaks
   250 words
   Magician, Subway, Horror
   David Shakes
   @theshakes72
   #flashdog

   Curious, how he always stands in the part of the subway where the lights are dimmest and the acoustics fool your ears. His face is at once familiar yet difficult to place – wasn’t he once on TV?
   A flourish of cheap, plastic flowers from deep within the folds of his coat are usually produced for the ladies. A grubby, hard boiled sweet travels from knuckle to knuckle before disappearing, only to reappear behind your child’s ear to then be presented like a rare treat. A few coins will raise a smile and a polite bow, but you wouldn’t let your child eat that sweet.
   The illusionist never speaks.
   More curious than that faded magician is the mural he chooses to stand before. The caricatures of business commuters are painted life size and grimacing on the cracked, white tiles.
   Every now and again a new figure is added, seemingly overnight.
   I’d never given it much thought until recently. The newest addition was the perfect portrait of a man I’d grown used to seeing on the daily journey home. Indeed, the last time I’d seen him was in this very subway, berating the busking conjuror for his tired tricks and lack of imagination. It had been quite a scene.
   That’s probably why I remember the guy, and why the contorted features of his painted self disturb me so.
   The thing is, I’ve never seen him since. So, that’s why I always pay a few coins, because you never know, do you?

   Reply
   1. 

      Stephanie Ellis

      27 May 2016

      Really liked this, such an original idea. I failed miserably trying to come up with a horror this week as they kept turning into parodies of IT, Chucky etc.

      Reply
   2. 

      Geoff Holme

      27 May 2016

      Excellent work, Shakes, beautifully told.

      Reply
6. 

   Stephanie Ellis

   27 May 2016

   The Night Show

   163 words
   Elements: magician, park, poem

   @el_Stevie
   #FlashDog

   He stands in the open, claims the night
   With sleight of hand, scattering stars
   On dew-laden grass
   Plucks the moon down
   To cross a palm with silver

   Cold flesh he wraps in a velvet robe
   Pulled from a sky now denying day
   Binding the cloak
   With filigree skeins
   From jewelled webs of serrated steel
   Dyeing the coat vermillion red
   A ruby replacing a pearl

   He weaves a spell tight
   Carves light from the eyes
   Of those who watch
   Transfixed, hypnotised
   By his guile and lies
   Hearts plucked from ribs
   To sit still beating in rigid hands

   He takes all they can give
   Breathes in their dreams
   Lets their monsters roam
   Mingling with his own
   Playing like children on
   Abandoned swings and rusted slides
   Filling the void with delighted howls

   They do not see his encore
   Already he has moved on
   The travelling man
   Leaving behind broken minds
   Tormented with whisps
   Of a memory, of a darkened night
   And blood and smoke and mirrors.

   Reply
   1. 

      Stephanie Ellis

      27 May 2016

      Still not sure why I get boxed in! Saw Geoff’s comment re liking structure in a poem so he’ll probably hate this!!

      Reply
      1. 

         Geoff Holme

         27 May 2016

         An invalid inference there, Steph: the fact that I told Ashley I like a poem with a set structure does not necessarily imply that I dislike those without.
         ‘I failed miserably trying to come up with a horror this week’ – Duh! I don’t think so! It may be a poem, but it is still very dark, spooky and disturbing. Cracking job.

         [ I’m wondering if you are logged into administrator mode when you post, and that is causing the lines – just trying to think outside the box 🙂 ]
      2. 

         Stephanie Ellis

         27 May 2016

         I was just teasing re poem – and yes I think it’s due to my login status, just not looked into it. 🙂
      3. 

         Stephen Shirres

         28 May 2016

         I think you get boxed in because you are the admin of this page/article. It is to show the rest of us who is boss 😉
7. 

   A V Laidlaw

   27 May 2016

   @AvLaidlaw
   Puppeteer / Subway (Ok, London Underground) / Fantasy
   250 Words

   I Had Not Thought Death Had Undone So Many

   The passengers stumbled and jerked at the end of the hand straps as the train rattled into Clapham North. The indifference on their faces grew waxen in the fluorescent lights.

   It was no good, Tamara thought. The glamour was off. The dream job that had brought her to London turned out to be fetching coffee for expensively suited men who insisted she wore short skirts and high heels in the boardroom. Her ankles ached. And still another five stops until her cramped flat shared with two other girls, two glasses of chardonnay, and an hour on Netflix before she slipped into sleep feverish with traffic noise.

   The train doors opened. The passengers murmured as a hunched shape climbed into the carriage. Tamara craned her neck to see better and caught her breath. A tiger. No, impossible. Not here in London. She breathed out. A tiger puppet. A cheap effect. Nothing more than man in costume advertising something or other. The passengers pressed back into their seats, back into their studied apathy, as the puppet passed them. The puppeteer was good though, he arched his back convincingly as the tiger puppet slunk along the carriage, each pad forceful against the floor. It stopped beside Tamara and bared its teeth with delicate ferocity. She saw dark jungles in its eyes. It growled softly. She touched its fur, soft and hot with tropical sun.

   The tiger prowled into the next carriage, leaving nothing behind except the scent of wild beast on her fingertips.

   Reply
8. 

   AlexBrightsmith

   27 May 2016

   For a Maiden Fair

   The dragon swooped across a flat grey sky. In the beginning they had watched eagerly, some in fear and some in wonder, but neither fear nor wonder lasts, not for a shadow on the subway wall. It was only a few tattered rags, manipulated by an old man as ragged as his puppet. The commuters grumbling past huddled ever deeper in their coats as the year died, embarrassed for him with his tawdry show, and the few coins that accumulated in his hat were thrown in pity. It might have ended that way, with a whimper, if not for the girl.

   On the first day her mother had to tug her past the show, but by the third day she followed obediently, only her eyes lingering.

   On the fifth day, the dragon belched fire.

   The crowd shrugged. Clever, but a trick.

   On one face there was rapture. That was enough.

   He was packing up his kit in the empty tunnel when suddenly it wasn’t empty any more. He huddled against the wall helplessly as the younger man plucked the puppet from his shaking hands and the dragon took flight once more.

   “You old fool. Why use fire magic? You could have hidden forever.”

   As the dragon swooped, remembering the girl’s radiant smile he said

   “You couldn’t understand.”

   Even so, his nerve failed him at the end. There was a thin scream, and then nothing but a few scraps of cloth and wire on the subway floor, and a young man striding away.

   @brightsmithgamp
   250 words
   Puppeteer/subway/fantasy

   Reply
9. 

   Stephen Shirres

   27 May 2016

   One Thousand and One Graffiti Nights
   by Me (@The_Red_Fleece)
   Puppeteer, Subway, Fantasy
   Word Count = 245

   “Last orders!”
   The shout is met with groans, finished drinks and goodbye hugs. Half way home I stopped at the concrete tunnel under the motorway. The subway walls are a cluster of colourful graffiti lit by a harsh yellow light: A pig outlined in red, a young girl with blue arms and her older sister with a red heart mouth. Opposite them is a puppeteer. No taller than his God’s knees, the puppet jumped out an exciting tale.
   “The old man was stuck in his blue box as it got smaller and smaller, his last words were a goodbye to his best friend.” The puppet became a mime, his little wooden hands revealing his ever shrinking world. “But she wasn’t listening, she was thinking, working out how to save her friend.”
   The graffiti characters leaned in, wait they leaned in, like they are alive. I tried to shake the alcohol from my brain but the filter will not go.
   “And I’ll tell you how she did it tomorrow night.”
   A sigh blows through the subway. I join in.
   The puppeteer and his puppet both hold up a hand. “Only if you stay where you are, in your own realm.”
   “And me?” I ask.
   He turned to me. “You’ll have to come back tomorrow night.”
   I did as he said, the same time the next night and the night after that and the night after that but his tale never ended.

   Reply
10. 

    Voima Oy

    27 May 2016

    Night Train
    @voimaoy
    152 words
    contortionist /subway/ a prose poem?

    At night, when the subway is empty, she does cartwheels on the platform for the ticket agent, bored with watching the shadows on the security cam. She bows to his silent applause. It’s perfect timing, as the doors open on the arriving train. At night, the cars are full of sleepers; she is part of their mutant dreams. She’s the snake girl, double-jointed, her eyes like opals in the dark. The train moves through the tunnel and she stretches around the poles. She slithers. She shimmies. She shakes. She does handstands on the backs of the seats. Hanging from the straps, she goes into a flawless split. Now, she swings her legs behind her, touching the back of her head with her feet. She folds into a tuck position, like a diver, unfolds like an origami bird. No wings, no wires, she is airborne, weightless, floating above the bodies curled in sleep.

    Reply
    1. 

       Denise

       28 May 2016

       Lovely! Who knows what goes on while the rest of us sleep? It has a great feeling of escapism and joyful abandon!

       Reply
       1. 

          Voima Oy

          28 May 2016

          Thank you for reading, Denise, and for such a lovely comment. Much appreciated! 🙂
11. 

    Leara Morris-Clark

    27 May 2016

    Puppet On A String
    Puppeteer/Subway/Horror
    WC 249

    Our train pulled into the station. I saw the old man and his raggedy clown puppet. There were a few people nearby watching his show. I liked marionettes. It was amazing how with just strings, he could make it move so life-like. It danced, walked, and entertained as more people crowded around.

    Mum made some comment about keeping homeless off the subway platforms, but I didn’t see any harm in it. I watched intently.

    I saw a constable and worried he would make the man leave. “About time,” Mum said and went back to her book.

    The old man looked at me with a snaggletooth grin. With his free hand, he made a strange motion toward the policeman. Suddenly, the officer began to move in step with the clown. No one else noticed, as the old man and the puppet captivated them.

    The officer had a sightless look in his eyes and moved in a jerky motion, arms and legs swinging unnaturally.

    The old man still smiled and then he winked at me.

    I watched the officer dance his way toward the opposite tracks and off the platform as the other train entered the station. I stifled a scream with my hand over my mouth as it came to a screeching halt, while the body flew through the air.

    Our train started to move. I stared, wide-eyed as the crowd became frantic. I searched the platform, but I could not see the old man or his clown anywhere.

    Leara Morris-Clark
    @learawrites
    http://learawrites.wordpress.com

    Reply
12. Puppet On A String – LearaWrites

    27 May 2016

    […] Written for Microcosms 21 weekly contest. Related to clowns with prompts Puppeteer/Subway/Horror. WC 249. Photo from […]

    Reply
13. 

    Meg Kovalik

    28 May 2016

    Smoke and Mirrors

    “Have a nice day!”

    “Thank you! You too!”

    The door to the sandwich shop closed with a jaunty jingle as Clancy the Magnificent took a bite of his lunch. It had been a good day and he was looking forward to the afternoon show – despite the lack of a closing act. “The universe will provide, Clancy,” he whispered to himself. “It always does.”

    Around the corner he pulled up short, with a smile. A dejected children’s entertainer sat in the gutter, colourful head in his hands.

    Clancy put on his brightest voice. “Penny for your troubles?”

    The clown looked up with a start. “Mate, you’d need at least a dollar,” he replied.

    Clancy sat next to him and worked his magic into his words, finishing with an offer the young man simply couldn’t refuse.

    That afternoon the crowds marvelled at Clancy’s latest and greatest attraction: a sad, wooden life-size clown marionette, skilfully handled by the master illusionist as he cartwheeled and prat-fell to the delight of children and adults alike.

    Although, his terrified rictus was, to tell the truth, a little off-putting.

    @meg_mediocre
    182 words

    Puppeteer; Subway (the restaurant); Fantasy

    (I know it’s a few minutes late but I hope I can still sneak it in!)

    Reply
14. One Thousand and One Graffiti Nights – The Red Fleece

    29 May 2016

    […] Using these three elements, the picture in the top right hand corner and inspirational tales I came up with my story One Thousand and One Graffiti Nights which you’ll find below the break. I hope you enjoy it (and if you do please give it a like on Microcosms!) […]

    Reply

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